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*กรุณาโทรเช็คสต็อคสินค้าก่อนสั่ง 0811-444-729 - Model: Epiphone B.B. King Lucille
When B.B. King made his first recordings for Sam Phillips’ Memphis Recording Services, King was initially known as a talented vocalist and in fact didn’t always play lead guitar on his early records. But that would all change by the mid ‘50s as King and his guitar, nicknamed Lucille, became the voice of the blues. With hits like “Rock Me Baby,” “Sweet Little Angel,” “Sweet Sixteen,” and “The Thrill Is Gone,” King put the blues on the Top 40 charts, made himself and Lucille household names, became the first blues artist signed to a major label, and with his singular vocal and guitar style, was an inspiration to a mighty generation of blues and rock artists including Otis Rush, Albert King, Buddy Guy, Michael Bloomfield, Duane Allman, and Magic Sam.
The Thrill Is Back
Lucille’s ES-style body shape features a maple top and body and is constructed without f- holes. King has always preferred ES style guitars, most prominently the ES-355. To get the tone and volume combination that he wanted for his sound, King found he was often on the verge of feedback. His solution was to ask the Kalamazoo factory to make a version of Lucille without f-holes.
King’s new Epiphone design incorporates three decades of refinements with stunning results. The hand-set 24.75” scale hard maple neck has a 1.68” nut with a SlimTaper™ “C” shape, perfect for chording or solos. Lucille’s fretboard has pearloid block inlays, a classic Epiphone Sloped Dovewing headstock, and a gold metal truss rod cover engraved “B.B. King.”
Rock Me Baby
Lucille’s biting tone comes from two Epiphone Alnico Classic™ humbuckers with gold covers framed by a classic multi-bound tortoise shell style pickguard with historic metal “E” insignia. An indelible part of King’s sound also comes from his subtle use of the Vari-tone ™, control which is identical in principle to the vintage models that King uses on stage.
The VariTone™ uses a six-way rotary switch which engages 5 pre-set notch filters and a bypass. In position one, the VariTone™ is completely bypassed. As you rotate the rotary switch into positions 2-6, the center frequency of the notch filter shifts from around 1.9kHz down to 130Hz, providing a player with a wide tonal palette unavailable on most other instruments. Positions 2 through 4 offer tonal shaping while still maintaining great clarity. Position 2, (5db at 1960 Hz) is B.B.’s favorite!
But keep turning and you’ll find Positions 5 and 6 shape-shift the Alnico Classic™ Humbuckers into a single-coil style pickup but without the thin quack usually associated with traditional single coil pickups. Add it all up and between the 6-position VariTone™ circuit and the 3-position toggle switch, you have 18 unique tones available.
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| Semi-Hollow Body with no “F” Holes | |||
| Body: | Laminated Maple Top, Back & Side | ||
| w/Body Binding | |||
| Neck: | Maple w/ Rosewood Fingerboard, | ||
| Block Inlays w/Neck & Headstock Binding | |||
| Frets: | 22 | ||
| Pickups: | 2 Humbucker w/Vari-Tone | ||
| Controls: | 2 Volume, 2 Tone, 3-way switch | ||
| Hardware: | Tune-O-Matic Bridge, TP-6 Fine Tuning | ||
| Tailpiece, Grover Machine Head, Gold | |||
| Case: | N/A | ||